Morning Consult Entertainment: What’s Ahead & Week in Review




 


Entertainment

Essential entertainment industry news & intel to start your day.
September 18, 2022
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Good morning! Welcome back to the Sunday Morning Consult Entertainment newsletter. I hope everyone is having a great September so far. Let’s start the day off with a trivia question based on a recent Morning Consult survey: What share of U.S. conservatives said they have 1-2 video streaming service subscriptions?

 

A: 20%

B: 35%

C: 48%

D: 62%

 

Check out the answer at the bottom of today’s newsletter. Now, onto the week ahead!

 

What’s Ahead

The 18th Zurich International Film Festival starts Thursday and runs through Oct. 2. Films scheduled to make their European debuts include Sony Pictures’ historical epic “The Woman King” starring Viola Davis, Universal Pictures’ rom-com “Bros” and Sally El Hosaini’s “The Swimmers,” which will open the festival. The 70th San Sebastián International Film Festival continues through Saturday.

 

Netflix Inc.’s Tudum: A Global Fan Event is on Saturday. Expect appearances from stars, exclusive first looks and announcements about some of the streaming platform’s most anticipated titles like “Glass Onion: A Knives Out Mystery,” “Squid Game,” “Stranger Things” and “The Witcher.”

 

TV shows

  • “Andor,” Disney+’s latest “Star Wars” show, premieres on Wednesday. The prequel series follows thief-turned-rebel spy Cassian Andor (portrayed by Diego Luna) five years before the events of “Rogue One.”

Movies

  • After a viral press tour that birthed the infamous spit-gate, Warner Bros. Pictures and Olivia Wilde’s “Don’t Worry Darling,” starring Florence Pugh, Harry Styles and Chris Pine, hits theaters on Friday. The film follows the life of a 1950s housewife (Pugh) who grows suspicious of the utopian experimental community she lives in with her husband (Styles). It’ll be fascinating to see how the film performs at the box office, as questions have been raised about how the negative publicity could affect the movie’s bottom line. For what it’s worth, the Imax Live Experience advance screening, which is on Monday, sold out within 24 hours at 21 Imax locations, making it one of Imax’s fastest-selling screenings to date.
  • Ahead of the Dec. 20 premiere of “Avatar: The Way of Water,” 20th Century Studios’ will rerelease “Avatar” in theaters and Imax on Friday. The 2009 film is the highest-grossing movie of all time with $2,847,397,339, per Box Office Mojo.
 

Week in Review

Once again, I spoke with Kevin Tran, Morning Consult’s entertainment and media analyst, about his latest memo, which explores why video streaming services are leaving money on the table by not catering enough to the tastes of conservative audiences. (And be sure to give Kevin a follow on Twitter.)

 

Morning Consult data suggests U.S. conservatives are underserved in the video streaming market. What made you want to take a look at this particular demographic? 

 

When we’re thinking about the streaming wars these days, the focus is on new audience growth that can come from domestically as the U.S. market has become so saturated. For me, it was about highlighting a new audience that streamers could find growth from and an audience that they haven’t really won over previously. I personally haven’t seen too much about how streamers can grow through appealing to consumers of a specific political ideology. 

 

And looking at the data, there’s a big difference in household penetration among consumers depending on what side of the aisle they’re on. I thought it was just important to highlight that opportunity for video streaming companies in this being a path for them to grow in the next phase of the streaming wars.

 

The data also shows that the share of conservatives who said they don’t subscribe to or use someone else’s password for any of the major streaming services in August was higher than the shares of liberals and all U.S. adults who said the same. Why do you think that is?

 

I think there’s a two-part reasoning to that, with the first being the lack of specific content that is on the major streaming services to begin with. I think there’s probably a portion of the conservative respondents that feel like major streaming services don’t have content that particularly caters to their interests. Second, there’s probably a portion of conservative respondents that feels the type of content being pushed or heavily promoted on a lot of major streaming services isn’t in line with their core values. Because of that, there are certain less widely known streaming services that are going after a more-politically conservative audience. Those players are there and can serve some conservative consumers that aren’t paying for the subscriptions of major streaming services. So I think that all this would speak to why there is a gap between liberal and conservative usage of some of these major streamers.

 

You mention that sports is a way for media companies to attract conservative audiences. What are other ways these media companies can target this group?

 

I think expanding on the sports a bit would make sense. Sports-betting content could help. In my memo, I refer to sports rights and live sports content, but taking that a step further, I think adding sports-betting content and informing how conservative viewers might be able to place certain good bets on leagues that are in-season could be helpful and complementary to the sports rights that media companies are securing. 

 

On top of that, boosting the awareness of services in general, after certain rights are acquired, could help. I point out in my memo that our data shows that in the month of August, more conservatives said that they listened to linear radio than liberals did. I think getting awareness through more traditional media and marketing on things like traditional radio could be something to help major streamers gain mindshare for certain programs among the conservative audience.

 

Now, for the major news from last week:

  • 20th Century Studios’ horror-mystery “Barbarian” debuted at the top of last weekend’s box office with $10 million in ticket sales, while Bollywood film “Brahmastra Part One: Shiva” came in second with $4.4 million during another slow weekend for movie theaters. Sony Pictures’ “Bullet Train” finished third with $3.2 million, while Paramount Pictures’ “Top Gun: Maverick” came in fourth with $3.17 million in its 16th week in theaters.
  • HBO and HBO Max dominated the 74th Primetime Emmy Awards with a total of 38 trophies, including best drama series for “Succession” and best limited series for “The White Lotus,” while Apple TV+’s “Ted Lasso” won best comedy series for a second year in a row. Hwang Dong-hyuk and Lee Jung-jae of Netflix Inc.’s “Squid Game” made history as the first director and actor, respectively, of Asian descent to win in the drama categories, while Quinta Brunson and Sheryl Lee Ralph scored trophies for ABC’s “Abbott Elementary” in the comedy categories for writing and supporting actress, respectively. 
  • Paramount Global CEO Bob Bakish confirmed the report that the company has held early discussions over potentially shutting down its Showtime streaming service and folding its content, which includes “Billions” and “Yellowjackets,” into Paramount+. 
  • Walt Disney Co. could combine Hulu with Disney+ into a single streaming service in the United States so all of its content can live in one place online, CEO Bob Chapek said during a conference. Disney, which has seen success selling Hulu and Disney+ as a bundle, would have to buy the one-third of Hulu owned by Comcast Corp. before merging the two platforms.
  • Academy Award-winning producer Jonas Rivera has reportedly been promoted to the role of executive vice president of film production at Walt Disney Co.’s Pixar Animation Studios, where he will oversee the studio’s film and streaming production. Since joining Pixar as an intern in 1994, Rivera has won Oscars as a producer on films such as “Up,” “Inside Out” and “Toy Story 4.”
 
Stat of the Week
 

25%

That’s the percentage that viewership of the Emmy Awards fell from last year. Last week’s ceremony on NBC drew 5.9 million total viewers, compared with 2021’s broadcast on CBS, which brought in 7.9 million.

 
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